Tedeschi Trucks Band

Tedeschi Trucks Band

Jorma Kaukonen

Tue, February 28, 2017

Doors: 6:30 pm / Show: 7:30 pm

Charleston Municipal Auditorium

Charleston, WV

Resv'd: $27.50, $37.50, $47.50 & $64.50 | $5 increase day of

This event is all ages

To RSVP to the official Facebook event , click here.

Tickets are also available at Charleston Civic Center box office or by calling 800-745-3000. 

Tedeschi Trucks Band
Tedeschi Trucks Band
As husband-wife couples go in the world of music, it is a challenge to find a duo as well-fitted and naturally prolific as that of singer/guitarist Susan Tedeschi and guitarist Derek Trucks. They are both heavily steeped in the blues tradition, yet open to far-ranging influences including rock, gospel, jazz and World music. Each has produced recordings that share a sensibility best described as a swampy mix of rootsy, rockin' American music. The two have guested on each other's albums, toured together intermittently, and last year they each received individual Grammy nominations in the category of "Best Contemporary Blues Album" for their 2009 albums, Tedeschi for Back To The River and Trucks for Already Free (which he won). As well, they often perform together with the Allman Brothers Band—with whom Trucks continues to play as co-lead guitarist.

In fact, it was during an Allman Brothers tour in 1999 that the two first met. They fell in love, married in 2001, and began a family in Trucks's hometown of Jacksonville, Florida. By early 2010, with two children in grade school and both of their careers in full-swing, they made a vow to put their individual musical projects on hold and devote themselves to a new joint ensemble they would co-lead, what Trucks then described as a "collective that will allow everyone in the band a chance to shine. We're not sure yet what it will sound like exactly – we're just going to let it come together and not force a vision on it."

A year-and-a-half process followed, during which Trucks and Tedeschi minimized their live commitments to such high profile events as Eric Clapton's Crossroads, New Orleans Jazz and Heritage Festival, the Fuji Rock Festival, and a noteworthy collaboration with legendary jazz keyboardist Herbie Hancock. The couple's primary focus through most of 2010 held fast to the goals of assembling a new band, writing new material, and recording an album of performances true to their new musical approach.

Trucks recalls stepping into the process but with no set deadline in mind. "We spent a whole year putting a band together with different lineups, different approaches, different mindsets, and during the same time began songwriting. After about six months we had over 30 songs to choose from."

On June 7, Tedeschi Trucks Band will release its debut recording Revelator, the result of eighteen months of dedicated musical focus. True to Trucks's promise, the album is a confident yet unforced triumph offering a cohesive vision: an idyllic, musical world in which the echoes of so many great traditions— Delta blues and Memphis soul, Sixties rock and Seventies funk—flow together naturally, blending with an entirely original, modern sensibility.

And true to a title that suggests both the gospel-flavored intensity and stunning, soulful impact of its twelve original tracks, Revelator includes smoky, blues-dipped rockers and heart-stilling ballads that show off, respectively, the gutsier and softer side of Tedeschi's vocal ability, plus a series of emotive, story-telling solos shaped by Trucks's uncanny agility on slide-guitar. With its focus on tighter song structures and lyrics rather than extended improvisations, the album serves as dramatic leap forward for Tedeschi and Trucks—one which makes sense in looking back.

"This album is an evolution of what we've all been doing before," says Trucks. "Before with what Susan and I were doing, those were live bands that charged down the road, playing constantly and occasionally finding time to record. Now with this album, everything's been thought out a little deeper, figuring out the music and what the tunes mean—more time given to the whole process. I think my album Already Free in 2009 was the first step in the direction of working with professional songwriters who take their craft as seriously as instrumentalists do.

"Revelator is the first true realization of that process, in which the sum of the parts—the songs, the band, Susan and myself—were greater than just the parts themselves."

More than any other recording project, Revelator found Trucks taking on the role of bandleader, lead guitarist, songwriter, and producer—spending equal time on either side of the glass in Swamp Raga, the recording studio he built behind their house in Jacksonville, Florida. "It's relaxing being at home but it can't just be sitting there. You have to live up to what the studio is, and with this level of musicianship, and with this gear, it forces you to be on your toes."

Trucks also recruited Grammy-winning engineer Jim Scott, whose genre-bending credits include popular albums by the Dixie Chicks, Johnny Cash, and the Red Hot Chili Peppers. Trucks co-produced the album with Scott, about whom Trucks says: "It really mean a lot when Jim would listen to something and say 'Now THAT sounds like a record to me.' He has a great way of sensing and knowing when a song had arrived and that nothing else was needed."

Most notably, Revelator features the newly formed Tedeschi Trucks Band, an eleven-member ensemble overflowing with talent and musical familiarity. Harmony singers Mike Mattison and Mark Rivers have joined forces with brothers Oteil Burbridge (noted for his years as bassist with the Allman Brothers Band) and Kofi Burbridge (longtime keyboardist/flutist with The Derek Trucks Band), a pair of drummers J. J. Johnson and Tyler Greenwell, plus trumpeter Maurice Brown, tenor saxophonist Kebbi Williams, and trombonist Saunders Sermons. (Additionally, Ryan Shaw and David Ryan Harris supply harmony vocals to various tracks on the album, and Alam Khan adds his masterful sarod playing to 'These Walls.') The fact that this aggregation includes so many musicians related by experience—and blood—clearly adds to the notion of Revelator as a true group album, the product of a musical family.

The fact that the DNA of the Tedeschi Trucks Band includes so many musical couplings has a lot to do with it. "It has such strengths, everyone's a great songwriter in this band and everyone's so good at listening to each other," Tedeschi says. "There are also lots of pairs in the band—like the drummers. They're fabulous together, creating space for each other. Then you have Oteil and Kofi who have known each other since they were born—when those two brothers are locking in together, it's amazing, like ESP taking over. And Derek and myself know each other so well and inspire each other."

Trucks recalls that during the group's tour in the fall of 2010, "It felt like everyone was trying to find their place. I found our New Years show in Jacksonville was the first time it all came together, it became very adventurous. We started playing with the realization that even with a big band, it can still turn on a dime."

Tedeschi and Trucks plan to tour the U.S. and Europe on the heels of the release of Revelator, performing the music from the album as well as old favorites. Trucks echoes Tedeschi's sense of anticipation and pride in their new collective. "I'm really looking forward to hitting the road and letting things grow until each show feels like an event. It's nice having all these new songs but also having that looseness and spontaneity that comes with a great group of musicians. There are few bands that do that—hold on to that element of surprise. One moment could be a train wreck but the next, it's church."
Jorma Kaukonen
Jorma Kaukonen
In a career that has already spanned a half-century, Jorma Kaukonen has been one of the most highly respected interpreters of American roots music, blues, and Americana, and at the forefront of popular rock-and-roll. A member of the Rock & Roll Hall of Fame and a Grammy nominee, he is a founding member of two legendary bands, Jefferson Airplane and the still-touring Hot Tuna. Jorma Kaukonen’s repertoire goes far beyond his involvement creating psychedelic rock; he is a music legend and one of the finest singer-songwriters in music.

Jorma currently, as he has for many years, tours the world bringing his unique styling to old blues tunes while presenting new songs of weight and dimension. Jorma is releasing his next solo album, Ain’t In No Hurry, early in 2015 on Red House Records.

The son of a State Department official, Jorma Kaukonen, Jr. was born and raised in the Washington D.C. area, with occasional extended trips outside the United States. He was a devotee of rock-and-roll in the Buddy Holly era but soon developed a love for the blues and bluegrass that were profuse in the clubs and concerts in the nation’s capitol. He wanted to take up guitar and make that kind of music himself. Soon he met Jack Casady, the younger brother of a friend and a guitar player in his own right. Though they could not have known it, they were beginning a musical partnership that has continued for over 50 years.

Jorma graduated from high school and headed off for Antioch College in Ohio, where he met Ian Buchanan, who introduced him to the elaborate fingerstyle fretwork of the Rev. Gary Davis. A work-study program in New York introduced the increasingly skilled guitarist to that city’s burgeoning folk-blues-bluegrass scene and many of its players. After a break from college and travel overseas, Jorma moved to California, where he returned to classes at Santa Clara University and earned money by teaching guitar. It was at this time, that he met Paul Kantner and was asked to join a new band. Although Jorma’s true passion was roots music, he decided to join. That band was the Jefferson Airplane. Jorma invited his old musical partner Jack Casady to come out to San Francisco and play electric bass for Jefferson Airplane, and together they created much of Jefferson Airplane’s signature sound. A pioneer of counterculture-era psychedelic rock, the group was the first band from the San Francisco scene to achieve international mainstream success. They performed at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock(1969) and Altamont (1969)—as well as headlining the first Isle of Wight Festival (1968). Their 1967 record Surrealistic Pillow is regarded as one of the key recordings of the "Summer of Love". Two hits from that album, "Somebody to Love" and "White Rabbit", are listed in Rolling Stone's "500 Greatest Songs of All Time".



Jorma and Jack would jam whenever they could and would sometimes perform sets within sets at Airplane concerts. The two would often play clubs following Airplane performances. Making a name for themselves as a duo, they struck a record deal, and Hot Tuna was born. Jorma left Jefferson Airplane after the band’s most productive five years, pursuing his full-time job with Hot Tuna.

Over the next three and a half decades Hot Tuna would perform thousands of concerts and release more than two-dozen records. The musicians who performed with them were many and widely varied, as were their styles—from acoustic to long and loud electric jams but never straying far from their musical roots. What is remarkable is that they have never coasted. Hot Tuna today sounds better than ever.

In addition to his work with Hot Tuna, Jorma has recorded more than a dozen solo albums on major labels beginning with 1974’s Quah and continuing with his recent acoustic releases on Red House Records—2007’s Stars in My Crown and River of Time, produced by Larry Campbell and featuring Levon Helm.

But performance and recording are only part of the story. As the leading practitioner and teacher of fingerstyle guitar, Jorma and his wife Vanessa Lillian operate one of the world’s most unique centers for the study of guitar and other instruments. Jorma Kaukonen’s Fur Peace Ranch Guitar Camp is located on 125 acres of fields, woods, hills, and streams in the Appalachian foothills of Southeastern Ohio. Since it opened in 1998, thousands of musicians whose skills range from basic to highly accomplished gather for weekends of master instruction offered by Jorma and other instructors who are leaders in their musical fields.

A multitude of renowned performers make the trek to Ohio to teach at Fur Peace Ranch and play at the performance hall, Fur Peace Station. It has become an important stop on the touring circuit for artists who do not normally play intimate 200-seat venues, bringing such artists as David Bromberg, Roger McGuinn, Arlo Guthrie, Dave Alvin, Ramblin’ Jack Elliott, Warren Haynes, Lee Roy Parnell, Chris Hillman and more. Students, instructors, and visiting artists alike welcome the peace and tranquility -- as well as the great music and great instruction -- that Fur Peace Ranch offers. There they have opened the Psylodelic Gallery, a museum in a silo, which celebrates the music, art, culture, and literature of the 1960's, tracing important events and movements of the psychedelic era.

Jorma Kaukonen is constantly looking to take his musical horizons further still, always moving forward and he is quick to say that teaching is among the most rewarding aspects of his career. “You just can’t go backward. The arrow of time only goes in one direction.”
Venue Information:
Charleston Municipal Auditorium
200 Civic Center Dr
Charleston, WV, 25301
http://www.charlestonwvciviccenter.com/
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