John Prine

John Prine

Sam Outlaw

Thu, May 24, 2018

Doors: 7:00 pm / Show: 8:00 pm

The Warfield

San Francisco, CA

Reserved: $69-$109

This event is all ages

Reserved: $69, $79, $89 & $109

Oh Boy Records is excited to announce that John Prine will release an album of original music in the Spring of 2018. Every ticket sold for these shows will include a copy of John’s new record upon its release (CD only). You will soon receive an email with instructions on how to redeem the new John Prine album. We are so grateful for your support of John and his music.

To RSVP to the official Facebook event, click here.

Tickets are also available at the Warfield Theatre Box Office or by calling 1-888-929-7849.

John Prine
John Prine
Two time Grammy-award winner, John Prine, is a singer songwriter who, from his eponymously titled first LP release in 1971, has continued to write and perform songs that have become central to our American musical heritage. Classics like, ‘Angel from Montgomery’,‘Sam Stone,’ ‘Paradise,’ and ‘Hello in There’ speak to the everyday experience of ordinary people with a simple honesty, and an extraordinary ability to get right through to the heart of the listener.

Long considered a “songwriter’s songwriter,” John Prine is a rare talent whose writing is greatly admired by his peers. Performers who have recorded from his extensive catalog, include Johnny Cash, Bonnie Raitt, the Everly Brothers, John Denver, Kris Kristofferson, Carly Simon, Ben Harper, Joan Baez, George Strait, Old Crow Medicine Show, Norah Jones, Bette Midler, Miranda Lambert and many others.

“He’s so good, we’re gonna have to break his fingers,” Kris Kristofferson said after witnessing a Prine performance. Bob Dylan remarked, “Beautiful songs… Nobody but Prine could write like that.”

But long before the awards and accolades, the concerts and many albums, John Prine trudged through snow in the cold Chicago winters, delivering mail across Maywood, his childhood suburb. “I always likened the mail route to a library with no books,” says John Prine. “I passed the time each day making up these little ditties.”

John’s parents, William Prine and Verna Ham Prine migrated from Paradise, Kentucky in 1934, joining the many others chasing work in the industrial north. They settled in a west Chicago suburb, and raised four boys. John and his brothers – David, Doug, and Billy – grew up in a close, loving extended family where country music, the Grand ‘Ol Opry, good Southern cooking, and annual visits ‘home’ to Kentucky were as naturally part of their lives as Chicago hot dogs and baseball!

With his career spanning more than 40 years Prine continues to perform at sold out shows all over the US, Canada, and Europe. Among the many awards and accolades John has received in recent times include is his 2003 induction into the Nashville Songwriters Hall of Fame, an Americana Lifetime Achievement Award for songwriting and was honored at the Library of Congress by US Poet Laureate Ted Kooser. Prine has become for many, not just a well loved and appreciated songwriter, but a bonafide American treasure.

John lives in Nashville, TN with his wife , Fiona, and enjoys spending time with their 3 sons, daughter-in-law, and grandson.
Sam Outlaw
Sam Outlaw
The future's bright for the young Angeleno
And an old song plays in his head
Far as he knows. . .

These lines from the title track of Sam Outlaw's debut album Angeleno could almost serve as a haiku-like artist bio. Outlaw is a southern Californian singer-songwriter steeped in the music and mythos of west coast country, absorbing the classic vibes of everything from '60s Bakersfield honky-tonk to '70s Laurel Canyon troubadour pop and refashioning them into a sound that's pleasurably past, present and future tense.

"The music I play, I call 'SoCal country,'" says Outlaw. "It's country music but with a Southern California spirit to it. What is it about Southern California that gives it that spirit, I don't exactly know. But there's an idea that I like that says - every song, even happy songs, are written from a place of sadness. If there's a special sadness to Southern California it's that there's an abiding shadow of loss of what used to be. But then, like with any place, you have a resilient optimism as well."

While he explores those shadows on the title track and the elegiac "Ghost Town," Outlaw mostly comes down on the side of the optimists through Angeleno's dozen tracks. Opener "Who Do You Think You Are?" breezes in with south of the border charm, all sunny melody wrapped in mariachi horns, while "I'm Not Jealous" is a honky-tonker with a smart twist on the you-done-me-wrong plot. "Love Her For A While" has the amiable lope of early '70s Poco, "Old Fashioned" the immediacy of a touch on the cheek, and the future Saturday night anthem "Jesus Take The Wheel (And Drive Me To A Bar)" shows Outlaw has a sense of humor to match his cowboy poet nature. Throughout, producers Ry and Joachim Cooder frame the material with spare, tasteful arrangements, keeping the focus on Outlaw's voice. And it's a voice that indeed seems to conjure up California in the same way as Jackson Browne's or Glenn Frey's. Easy on the ears, open-hearted, always with an undertow of melancholy.

Outlaw's journey west began in South Dakota - he was born Sam Morgan -with stops in the midwest before his family finally settled in San Diego. Like many artists, he got the music bug early. But he had serious restrictions on what he could listen to. "I grew up in a conservative Christian home," he explains. "My first real communal experience with music was in church. I always loved harmonizing with other people. And even though I was technically not allowed to listen to the radio, my dad loved the Beatles. My mom loved the Beach Boys and the Everly Brothers. So we listened to oldies radio, and I think got my first sense of melody and harmony from that."

After what he calls an "unfortunate" high school cover band ("We did almost all Oasis," he laughs) and some early stabs at songwriting in college, Outlaw's moment of revelation arrived via the classic country voices of Emmylou Harris and George Jones. "When I first heard them, it totally blew my mind," he says. "I went out the next day and bought Pieces of The Sky and a George Jones compilation. It was the first time I felt like I had a real special connection with music. That's when I started to get more serious about playing the guitar and writing."

After switching gears from a day job in Ad sales to pursue his passion, Outlaw marked the change by borrowing his mother's maiden name for a stage moniker. "The initial impetus for using Outlaw was no more than, 'Hey, this is a name that sounds country and it's a family name, so why not?'" he says. "Now, with my mom having passed away and her being a really strong encouragement in my life towards music, I like using the name as a way of honoring her."

He wasted no time doing his mom proud. A self-released EP in 2014, buzz about his live shows, slots at Stage Coach and AmericanaFest, a video on CMT. Meanwhile, as he prepared to self-produce his first-full length album, his drummer Joachim Cooder played some rough demos for his father, legendary guitarist Ry Cooder.

"When Ry expressed interest in working with me, it was just, 'Holy shit, I can't believe it!'" says Outlaw. "I mean, there's no sweeter person to make a 'country music in Southern California record about Southern California.' He's a master of so many genres."

To get familiar with the material, Cooder sat in with Outlaw's band. "Before we got in the studio, Ry had already played four shows with us. It helped him curate which members of my band would work best for the live tracking. I was thinking that we'd have five rehearsals before the studio, get everything super tight, then go in and knock it out of the park. But Ry said, 'The band knows the songs. Let's leave some room for life to happen when we get in there.' I liked that he had faith in the players and the songs that we didn't need to over-rehearse. And throughout the sessions, he was on top of every nook and cranny of the arrangements. "

Recording in Megawatt Studios in Los Angeles, with a band that included Bo Koster (My Morning Jacket), Taylor Goldsmith (Dawes), Gabe Witcher (Punch Brothers) and Chuy Guzmán (Linda Ronstadt), Outlaw heard the album he always dreamed of coming to life. "Ninety percent of what you're hearing is still the five of us in a room performing a song," he says. "Ry plays on every song, electric and acoustic on the basics. And then all the overdubs he did were just insanely beautiful. He was able to make magic happen on every track.

The resulting record has the timeless feel of those that inspired Outlaw. It is also almost defiantly non-trendy. Does he worry about fitting in with a country scene teeming with bros and Bon Jovi wannabes? "This whole debate about what country music is or isn't, bro country versus traditional, americana versus ameripolitan, it's all pretty boring to me," he says. "I think I made the distinction of SoCal country because I know that people crave classification. Ultimately I think that the music will speak for itself."

As Outlaw gears up to support Angeleno with tour dates opening for Dwight Yoakam and Clint Black ("Two of my heroes," he says), he's hopeful not only for his own record but a comeback of the music he loves. "I've made it a personal mission to remind people how great country music is," he says. "And specifically, I want to remind them that Southern California has a really rich history with country music. Even though there hasn't been a scene here for a long time, there has been a noticeable resurgence. If I can be involved in some kind of revival in the spirit of this music, that would make me very proud."
Venue Information:
The Warfield
982 Market Street
San Francisco, CA, 94102
http://thewarfieldtheatre.com
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