Thursday, March 30, 2023
Doors: 6:30 pm / Show: 7:30 pm
Manchester Music Hall
Flatland Cavalry is breaking out into a gallop. After years of hot trotting across their native Texas, the country outfit is primed for a breakout with the release of their third full-length album, the sonically sprawling and wistfully written Welcome to Countryland.
The Texas sextet–bandleader and chief lyricist Cleto Cordero, guitarist Reid Dillon, bassist Jonathan Saenz, drummer Jason Albers, fiddle player Wesley Hall, and recent newcomer utility instrumentalist Adam Gallegos–continue to embrace their trademark sound while further pushing into the wild unknown. When it was time to embark on recording a new album, resting on their laurels was simply out of the realm of possibilities.
After the release of 2019’s critically-acclaimed Homeland Insecurity and their 2016 full-length debut Humble Folks, they’ve been on a healthy trajectory rising through the country ranks. After years of working with Lubbock stalwart Scott Faris in the friendly confines of Amusement Park Studios, Flatland decided a change of scenery was necessary. Despite some hesitation and a mix of emotions, they instantly knew recording at Nashville’s Sound Emporium Studio A with rising producer Jake Gear was the right move.
“With our last two projects, we knew that room and setup. There’s comfort in working with Scott,” says Albers. “I think it was important to try and further expand with this album. Sonically, this album is definitely something bigger.”
“I think everyone kind of experienced this bit of nervousness going from Scott’s studio to Sound Emporium,” adds Dillon. “That first day, everyone was a little fidgety and shy. You eventually fall into this comfort zone.
While the roster of collaborative confidants and colleagues (Spencer Cullum, Jim Hoke, Billy Justineau, Hailey Whitters, and Kaitlin Butts) has continued to expand with Flatland’s sound stride for stride, Countryland isn’t a cut and paste effort with Nashville studio musicians. Rather, it finds the rootsy Texans delivering their A-game due to countless tour runs zig-zagging across the country and becoming seasoned performers and musicians.
Since their humble beginnings out in the Panhandle town of Lubbock, Texas, Flatland Cavalry has embraced their surroundings and rural West Texas roots. Formed in 2014 while attending Texas Tech University, Cordero and company made their presence felt within the Hub City’s songwriting circles and dancehall circuits. Banking on Cordero’s earnest pen and the band’s blend of country instrumentation, toe-tapping grooves, and earworm choruses, Flatland quickly became a regional sensation.
Gifted, award-winning, chart-topping… cool. There are plenty of apt adjectives that apply to Meghan Patrick. But perhaps the most meaningful descriptor for the acclaimed country singer/songwriter is authentic.
Patrick is a musician who always tells it like it is in a voice as gorgeously persuasive as they come. So, when she describes her electrifying third full-length studio album Heart on My Glass as “the most ‘me’ record I’ve ever made,” it’s a profound statement given the sincerity that has come before.
It’s also a handy metaphor for summing up the new album’s many sonic textures and flavours, some familiar to long-time listeners and others new— blues and gospel anyone? — but all yanked straight from Patrick’s rich reservoir of influences.
Funny what a pandemic year spent hunkering down in a town like Nashville will do for your music.
“This is a special record for me for a lot of reasons,” Patrick confirms. “I had so much more time over the past year to focus on writing and really being able to dig into what my sound and message should be. This feels like the most all-encompassing representation of me as a writer, an artist, and a human. All the pieces fell into place.”
Seating: General Admission