Emporium Presents & Live Nation
Burn It Down Tour
WACO 100 Presents: Parker McCollum – Burn It Down Tour
Saturday, April 13, 2024
Doors: 6:00 pm / Show: 7:30 pm
Touchdown Alley at McLane Stadium
Tickets start at $40.00
Singer/songwriter and multi-instrumentalist Parker McCollum released Never Enough, a statement album that cements his status as one of country music’s undeniable new stars, on May 12 via MCA Nashville. Along with headlining his own tour this summer, McCollum will play stadiums with Morgan Wallen on Wallen’s One Night at a Time World Tour. McCollum has been named an ‘Artist to Watch’ by Rolling Stone, Billboard, SiriusXM, CMT, RIAA, and more with American Songwriter noting, “The Texas native teeters on the edge of next-level superstardom.” Music Row listed McCollum as their 2021 Breakout Artist of the Year and Apple also included him as one of their all-genre “Up Next Artists” Class of 2021. A dedicated road warrior, McCollum made his debut at the famed Grand Ole Opry in 2021 and he already sells out venues across the country (over 40 sold out shows nationwide in 2021) including record-breaking crowds in Dallas (20,000), The Woodlands (16,500), Austin (7500+), Lubbock (7700+),Jackson, MS (5000+), Kearney, NE (3000+), Nashville’s Ryman Auditorium, and three nights at Fort Worth’s iconic Billy Bob’s Texas. In March 2022, McCollum made his debut at RODEOHOUSTON to a sold-out crowd with over 73,000 tickets sold, returning to perform at the Opening Day celebration in 2023. He recently made a dream come true with his first-ever Austin City Limits performance, kicking off their 2023 season. In 2022, McCollum earned his first ACM Award for New Male Artist of the Year, took home “Breakthrough Video of the Year” (a fully fan-voted honor) at the 2022 CMT Music Awards, and scored his first-ever nomination in the New Artist of the Year category at the 56th CMA Awards.
For more information, visit ParkerMcCollum.com
With the small-town charm of a boy from Bixby, OK, the big-city energy of Dallas, TX, and vocal prowess that rivals Nashville’s best – Corey Kent has been poised for a career in music from the beginning. Growing up influenced by various genres and artists, Corey started his journey in music at an early age. Taking the stage at age 11 as the lead singer for a touring Western Swing band, Corey hit early career milestones opening for legendary acts like Roy Clark and The Oak Ridge Boys. A few years later, he would be booking gigs around his hometown of Bixby, OK and by 17 he made his way to Nashville.
CATIE OFFERMAN MAY BE A NEW NAME TO COUNTRY MUSIC FANS, BUT SHE’S ALREADY GAINING A REPUTATION AS ONE OF THE GENRE’S MOST SKILLED PLAYERS AND PROMISING MODERN TRADITIONALISTS.
“I KIND OF SEE MYSELF AS ASPIRING TO BE A FEMALE GEORGE STRAIT,” CATIE SAYS. “I WANT TO BE AS VULNERABLE AS I CAN AND LIGHTHEARTED BECAUSE LIFE IS SHORT.”
NASHVILLE’S MUSIC COMMUNITY IS RESPONDING. CATIE GRADUATED FROM BERKLEE COLLEGE OF MUSIC AT 19, SIGNED HER PUBLISHING DEAL WITH UNIVERSAL MUSIC GROUP PUBLISHING ABOUT FIVE YEARS LATER, WAS FEATURED IN THE HIGHWOMEN’S “REDESIGNING WOMEN” VIDEO, INKED HER RECORD DEAL WITH UNIVERSAL MUSIC GROUP IN 2020 AND WAS NAMED ONE OF “THE BOOT’S” 2021 ARTISTS TO WATCH.
“I DIDN’T GROW UP THINKING I WANT TO BE A STAR. I DIDN’T EVEN KNOW I WANTED TO SING. IT TOOK ME A LONG TIME TO FIND MY PHYSICAL VOICE – THAT CAME OUT WHEN I BEGAN WRITING. ONCE I FOUND WHAT I WANTED TO SAY EMOTIONALLY WAS WHEN THE WRITING AND THE SINGING CAME TOGETHER. MY MUSICAL JOURNEY HAS BEEN OF TRIP OF SELF-DISCOVERY AND CONNECTION. IT MAY NOT HAVE BEEN THE MOST STRAIGHTFORWARD PATH, BUT IT GOT ME HERE AND THIS IS WHERE I FEEL AT HOME.”
MUSIC HAS BEEN A LIFELONG PURSUIT FOR CATIE, AN ONLY CHILD WHO GREW UP ON A HORSE RANCH IN NEW BRAUNFELS, TEXAS. SHE STARTED TAKING PIANO LESSONS FROM THE CHURCH’S PIANIST AT 4 YEARS OLD AND PICKED UP GUITAR TWO YEARS LATER. HER FATHER HOME SCHOOLED HER IN THE BARN’S TACK ROOM AND PLAYING GAVE HER A SENSE OF PURPOSE. BY THE TIME SHE WAS 9 YEARS OLD, CATIE PLAYED ACCORDION AND FIDDLE AND WAS CLASSICALLY TRAINED ON EVERY INSTRUMENT SHE PLAYED.
“WHAT STARTED AS RECITALS TURNED INTO GIGS THEN SHOWS AND MADE ME FEEL CONNECTED TO PEOPLE,” CATIE SAYS. “I THINK THAT WAS A HUGE PART OF IT FOR ME.”
HER ACCORDION TEACHER PLAYED IN DUO AND WHEN HIS PARTNER QUIT, HE OFFERED THE GIG TO CATIE. SHE WAS 11, AND SHE SAID IT OPENED “A NEW WORLD OF POSSIBILITIES.” A FEW MONTHS LATER, THE SAME TEACHER INVITED HER TO JOIN HIS POLKA BAND. THE GROUP PLAYED POLKA FESTIVALS FOR SEVERAL YEARS, BUT BY THE TIME SHE WAS 14, FIDDLE WAS HER PRIMARY INSTRUMENT. SHE HAD ADDED A FEW OTHERS ALONG THE WAY, INCLUDING MANDOLIN, AND SHE WAS READY TO BRANCH OUT INTO OTHER STYLES OF MUSIC. CATIE STARTED TEXAS SWING FIDDLE LESSONS WITH RAY PRICE’S FIDDLE PLAYER BOBBY FLORES AND JOINED HIS WESTERN SWING BAND. SHE STAYED WITH THE GROUP FOR SEVERAL YEARS BUT WANTED TO BE MORE THAN A PLAYER, SO SHE STARTED WRITING SONGS AND PLAYING SHOWS INDEPENDENTLY.
CATIE WAS A MERE 16 YEARS OLD WHEN SHE MOVED TO BOSTON WITH HER DAD TO ATTEND BERKLEE SCHOOL OF MUSIC ON A SCHOLARSHIP. SHE GRADUATED IN THREE YEARS.
“WHEN I FINISHED BERKLEE I THOUGHT I HAD IT ALL FIGURED OUT,” SHE SAYS. “LITTLE DID I KNOW I WAS JUST GETTING STARTED.”
SHE MOVED TO LOS ANGELES TO PURSUE A POSSIBLE TELEVISION OPPORTUNITY AND REALIZED HER HEART WASN’T IN IT. CATIE JUMPED BACK INTO SONGWRITING AND TRAVELED THROUGH SWEDEN AND DENMARK, WRITING SONGS AND HONING HER CRAFT. THE FRESH MUSIC HELPED HER LAND AN OFFER FOR AN L.A.-BASED RECORD DEAL THAT SHE DECLINED.
“AS EXCITING AS IT WAS TO BE OFFERED A RECORD DEAL IT WAS ALSO TERRIFYING. I KNEW DEEP DOWN THE MUSIC I WAS MAKING AT THAT TIME WASN’T WHO I WAS. AFTER I TURNED DOWN THAT DEAL, I CRIED FOR A MONTH. IT WASN’T THE EASIEST DECISION TO MAKE BUT I KNEW IN THE LONG RUN IT WOULD BE FOR THE BEST.”
IT WAS THE CATALYST THAT GOT HER TO NASHVILLE. SHE BROKE UP WITH HER BOYFRIEND, MADE THE MOVE, AND STARTED AGAIN. WITHIN TWO YEARS, SHE SIGNED HER PUBLISHING DEAL WITH UNIVERSAL MUSIC GROUP PUBLISHING.
“IT WAS THE FIRST TIME I WASN’T TRYING TO BE SOMETHING I WASN’T,” SHE SAYS.
THE PUBLISHING DEAL HELPED BROADEN THE POOL OF WRITERS SHE WORKED WITH, WHICH GREW HER SONG CATALOG. SHE TEAMED WITH RYAN BEAVER AND AARON ESHUIS TO RECORD THREE SONGS, WHICH LED TO HER RECORD DEAL WITH UNIVERSAL MUSIC GROUP NASHVILLE.
“IT WASN’T SOMETHING I WAS CHASING DOWN, BUT I LOVE THE FACT IT HAPPENED ORGANICALLY,” SHE SAYS. “AND THAT’S WHEN THE WORK BEGAN AGAIN.”
CATIE SIGNED HER RECORD DEAL JUST BEFORE THE PANDEMIC HIT IN 2020. SHE USED THE UNEXPECTED DOWNTIME TO WRITE MORE SONGS AND EXPERIMENT WITH DIFFERENT PRODUCERS BEFORE SHE LANDED WITH DANN HUFF, AND IT WAS “GO TIME.”
CATIE’S DEBUT TRACK “HAPPYLAND TRAILER PARK” IS A LIGHTHEARTED NUDGE TO SEARCH THE PARTS OF YOUR LIFE THAT AREN’T MAPPED OUT.
LYRICS INCLUDE: EVERYBODY’S GOT A DIFFERENT DEFINITION OF THE GOOD STUFF| HEADING DOWN THE HIGHWAY LOOKING FOR A HOOK-UP| YOU KNOW THAT YOU’VE FOUND IT WHEN THE DREAMER IN YOUR HEART|IS PULLING INTO HAPPYLAND TRAILER PARK
“A LOT OF MY FRIENDS HAVE TALKED ABOUT HAVING MILD DEPRESSION THE LAST COUPLE OF YEARS, BUT ONE OF THE THINGS THAT HAVE KEPT ME GOING IN THE UNCERTAIN TIMES IS FINDING ADVENTURE IN THE UNKNOWNS,” SHE SAYS. “WHERE DOES YOUR HEART TAKE YOU? I FOLLOW MY HEART. IT GETS ME IN TROUBLE, BUT IT ALSO LEADS TO THE MOST AMAZING EXPERIENCES OF MY LIFE. I THINK IN THESE TIMES WE’RE LIVING IN, EVERYONE DESERVES TO FIND THAT PLACE.”
A VINTAGE TALENT WITH MATURITY AND CLASS, CATIE MELDS HER TEXAS ROOTS WITH HER FINELY TUNED MUSICAL EXPERIENCE TO CREATE AN ARTICULATE DEBUT RICH WITH THE AUTHENTICITY AND VULNERABILITY OF A PROJECT WORTHY OF ONE OF THE GENRE’S HEROINES.
Ages: All Ages
Seating: General Admission